Nominated in the ‘revelation lyric artist’ category at the Victoires de la Musique classique awards, mezzo-soprano Floriane Hasler completed her studies at the CNSMDP with a Master's degree, with unanimous acclaim. She is a prizewinner in the Queen Elisabeth Competition 2023 (4th prize), 1st prize in the International Competitions of Froville (baroque music) and Canari (opera), Talent Adami 2022 and is one of the artists in the 23/24 class of Génération Opéra.
She made her debut in Orlofsky (Die Fledermaus) at the Philharmonie de Paris, Orphée (Orphée et Eurydice) at the Atelier lyrique de Tourcoing, and Enrico (Elisabetta Regina d'Inghilterra) at the Opéra de Marseille. More recently, she sang Mercedes (Carmen) at the Teatro San Carlo in Naples, the Opéra de Rouen and the Théâtre des Champs-Elysées. She was then given the title role in La Cenerentola at the Théâtre du Capitole in Toulouse. She sang Bradamante (Alcina) at the Festival de Beaune, then La Tasse Chinoise, La Libellule and le Pâtre (L'Enfant et les Sortilèges) at the Opéra de Monte-Carlo, and took her first steps on the stage of the Opéra National du Rhin in the roles of Nicklausse and La Muse (Les Contes d'Hoffmann).
In concert, she performs with the Orchestre National de Strasbourg and sings Vivaldi's Nisi Dominus and Stabat Mater conducted by Philippe Pierlot.
Deeply attached to the repertoire of Johann Sebastian Bach, she sings the St Matthew Passion, the St John Passion, the Magnificat, and numerous cantatas by this composer to whom she owes her first musical emotions.
With Vincent Dumestre, she recorded the roles of Didone and Volupia (Cavalli's L'Egisto) for the Château de Versailles Spectacles label, then Bellone (Médée by Charpentier) and Diane (Iphigénie en Tauride by Desmarest and Campra) under the direction of Hervé Niquet for Alpha Classics.
She will soon be appearing at the Théâtre Antique d'Orange as part of the Chorégies festival, at the Festival de Beaune in Agrippina (Narciso), at the Opéra d'Avignon in Monteverdi's L'Orfeo (Messaggiera) conducted by Jordi Savall, and at the Capitole de Toulouse in Salome (Page der Herodias)...
April 2025
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